Hache Galería Gallery in Buenos Aires

A solo show curated by Patrick Greaney in which Picabea explores abstract painting's capacity to extend beyond its own borders, investigating the tension between flatness and depth through oil works in dialogue with the legacy of Argentine concrete art.

Baggio's solo exhibition departs from a hallucinatory return to a 1982 Mercedes Sosa concert in Buenos Aires, weaving together gouache paintings titled after folk songs, enameled ceramics, and a video documenting the collaborative weaving of a poncho with artisans in Catamarca.

A fourteen-artist group exhibition examining copying, appropriation, and citation as critical strategies in contemporary art, questioning notions of authorship and originality across painting, drawing, photography, and object-based work.

Curated by Santiago Villanueva, this solo show brings together Böhtlingk's large-scale oil and acrylic paintings spanning Amazonian landscapes, Río de la Plata waterscapes, and street scenes from political demonstrations, exploring the porous boundary between activism and ecology.

Curated by Laura Hakel, this solo exhibition presents large paintings, sculptures in paper pulp and wrought metal, and animations organized around bodily cycles, reproductive time, and the fragmentary logic of daily images accumulated in notebooks over twelve years.

Baggio's first solo at Hache presented enameled ceramics, a monumental fungus-and-graphite canvas, and works on paper reflecting on the acts of killing and dying as fundamental conditions of existence, drawing on Argentine cultural memory and ecology.

Curated by Marcos Krämer, this solo exhibition gathered Obeid's ink drawings and video works in an exploration of handwriting, textual trace, and the limits of legibility, bringing her longstanding inquiry into language and material inscription into focused dialogue.